Eric Gales – “The Bookends”
12th February 2019Julie Andrews…Michael Jacksonā¦hell, even going as far back as Mozart. What do they all have in common? In their own respective eras, in their own different ways, they were dubbed child prodigies. Some people argue that, heaping such an amount of attention, publicity and pressure on a young child can cause long-term harm (Just look at how Jackson turned out), but sometimes when a child is not only gifted, but passionate and inspired, they have every opportunity and probability in life to succeed, and this is where ERIC GALES comes into the picture.
Born in Memphis in 1974, it wouldnāt take long for the home of the blues to have its effect on Eric, as from a very early age he was taught to play a right-handed electric guitar, upside down, by his left-handed brother, and despite this generally arse-backwards approach, from the age of just eleven heād began playing in blues competitions across the city with his brothers backing. Soon afterwards as a result, by 16 heād signed his first record deal with none other than Elektra Records, and by just the age of twenty, he was playing alongside CARLOS SANTANA at Woodstock. Now, in 2019 and having recorded and appeared on well over twenty-plus albums, he returns with his latest release āThe Bookendsāā¦letās check out this new addition to his extensive library.
We open up with āIntroā and as per the name itās just a brief instrumental piece, clocking in at just under two minutes. The combination of brooding, Sabbath-esque riffs and the deep funk of the Southern blues roots makes for an equally emotive and menacing musical tone. Itās a little bit of fret wankery to kick things off but, thereās not harm in a spot of indulgence once in a while now is there? First track proper then āSomethingās Gotta Giveā then takes a drastic turn stylistically as weāre instantly transitioned into a groove-based acoustic number. The heritage of rhythm and blues shining through here and all he wears all those Memphis influences on his sleeve.
He does try to mix things up a little here and there stylistically too, with āIt Just Beez That Wayā (Despite its own cringe-worthy name) incorporating subtle scat elements with a soft jazz sound instrumentally, and itās the kind of thing youād easily hear up and down Beale Street. āReaching For A Changeā turns up the electric guitar and weāve got arguably the albums rockiest offering, and the additional weight is welcome, allowing the track to stand out as a clear highlight.
Speaking of highlights however, the album leaves it late before really making an effort with an interesting combo of tracksā¦starting with the wonderfully soulful interpretation of THE BEATLES classic āWith A Little Help From My Friendsā. Accompanied by BETH HART, the pair deliver a passionate cover here, giving the track an entirely new character musically, before we finish up with the instrumental piece āResolutionā; a slick, hook laden blues- rock track musically, with likeness to say, BRYAN ADAMSĀ in placesā¦itās smooth, itās stylish and it just gets better as it gains momentum; a simple but hypnotic piece of music really ending the album on a high.
Although this album has itās quirks as mentioned above, they are sadly just that; a couple of quirks to break up the monotony of what is essentially a fairly straightforward blues-rock record. Eric is a gifted and established guitarist, no one is taking that away from him, but too sparse are the moments on this record that make you sit up and think āFuck I need to book me a flight to Memphis!ā Itās the kind of stuff thatāll sound great at the bar in the back ground, where you could maybe appreciate the style and the aura a lot more, but as a record it really isnāt that exciting.
Score: 5 / 10
Track Listing:
- “Intro”
- “Something’s Gotta Give”
- “Whatcha Gon Do”
- “It Just Beez That Way”
- “How Do I Get You”
- “South Paw Serenade”
- “Reaching For A Change”
- “Somebody Lied”
- “With A Little Help From My Friends”
- “Resolution”
Release Date:
February 8th (Out Now)
Record Label:
Mascot / Provogue