DOOL SHARE NEW VIDEO FOR ‘VENUS IN FLAMES’

 

Aptly entitled “The Shape of Fluidity” there is not just musical innovation but the full-length revolves around themes of personal change, physical change, psychological change, and the ever-changing world around us. DOOL and particularly singer and guitarist Raven van Dorst ask questions: How does change affect us? How do we keep being ourselves in a world that is so incredibly demanding and aggressive towards the individual? We must be as fluid as water to navigate ourselves through this ocean of possibilities and uncertainties – and make peace with chaos and impermanence.

 

Musically, DOOL continues on the path laid out in the two previous studio recordings of heartfelt rock music with added metal elements, while displaying a maturity and focus in songwriting that has grown out of experience. “The Shape of Fluidity” exhibits an eclectic yet seamless amalgamation of progressive and post-rock as well as doom and heavy metal in combination with an inherent catchiness and a dynamic backdrop.

 

What sets this album apart from its predecessors is the collective endeavor that went into it with the combined forces of songwriting trio Raven, and guitarists Nick Polak and Omar Iskandr. In the rhythm section, bass player JB van der Wal has been joined by the abundant creativity of new drummer Vincent Kreyder. On the technical side of the production, the outstanding engineering and mixing skills of Magnus Lindberg (CULT OF LUNA, RUSSIAN CIRCLES, TRIBULATION) and the excellent mastering by Ted Jensen (AC/DC, TALKING HEADS, MUSE, GHOST) have created the perfect crisp and transparent as well powerful sound for “The Shape of Fluidity”.

 

It is hardly surprising that the theme of the album which pitches the concept of identity against the backdrop of a world in constant flux connects the album’s lyrics to the biography of lead vocalist Raven. Born intersex, doctors at the time assumed that they could surgically determine which kind of life the infant should lead and decided that the child should be a girl. This has led to a life full of soul searching, fighting taboos, and breaking boundaries, until recently Raven decided to reclaim that which others have tried so hard to take away from them, and finally embrace their hermaphroditic nature.

 

This much more personal approach than before does by no means become self-centered. The lyrics of “The Shape of Fluidity” can easily be read as universal stories about finding oneself, swimming against the stream, and facing the world head-on. We are all affected by questions of change and identity, but it is only legitimate and natural that art also reflects the artists as well as the world around them.

 

The band derived the name DOOL from the Dutch word for ‘wandering’. When their debut album “Here Now, There Then” was released in 2017, it became an instant success. Their fresh and wild rock and metal sound received “Album of the Month” titles in the renowned German magazines Metal Hammer and Rock Hard as well as the “Best Debut Album 2017” award from the former, while Vice (US), Aardschok (NL), and De Volkskrant (NL) happily chimed in with heaping praise on the young Dutch band.

 

DOOL also established a reputation as an excellent live act that loves to rock stages around the world. They have meanwhile played several tours often in sold-out venues and performed at all the main festivals such as Wacken Open Air (DE), Graspop (BE), Hellfest (FR), Metal Days (SL), Lowlands (NL), Fortarock (NL), Wave Gotik Treffen (DE), Rock Hard Festival (DE), Stoned from the Underground (DE), Metalitalia Festival (IT), and North of the Wall (UK) among many others.

 

With their sophomore full-length “Summerland” released in 2020, DOOL successfully exceeded the already sky-high expectations and scored even more “Album of the Month” awards in German Rock Hard (10/10) and Sonic Seducer magazines as well as #2 soundcheck positions in Metal.de, Metal Hammer (DE) and another #1 in the Polish edition – with a pile glowing reviews on both sides of the Atlantic. Having been barred from extensive touring due to the global pandemic, DOOL was finally able to play shows again in front of sold-out houses and decided to release the live album “Visions of Summerland” as a gift for their huge following that had patiently waited for the band’s return to the stages.

 

Last but not least, it is well worth noting the cover art, which completes the Gesamtkunstwerk (synthesis of all arts) of “The Shape of Fluidity”, by physically embodying the concept. Renowned French artist Valnoir (Metastazis) has created a semi-transparent flag by hardening a liquid in the metamorphosis by reducing the temperature, which is shown on the cover. Imagery, lyrics, and music all flow together and pose questions about identity, freedom, life, and the will to change things that hold more than just one finger straight at the pulse of the Zeitgeist – but without ever pointing or raising it.

 

With “The Shape of Fluidity”, DOOL offers so much more than just damn cool music. These extra dimensions of depth and meaning are all part of their unique appeal and come out clearly on the new album. May all those who wander gather under the fluid flag of DOOL!

 

Upcoming live appearances:

 

Roadburn Festival – 19th April, Tilburg (NL)

Damnation Festival – 2nd November, Manchester (UK)