Nightwish – “Decades”
14th March 2018 1 By Gavin GriffithsSometimes a band can be so synonymous with a genre or style that, all you have to do is mention said genre and youâd associate that bandâŚfor example if I were to say punk youâd turn around and say SEX PISTOLS or, if I were to say shit youâd reply with NICKELBACKâŚwell when I utter the words symphonic metal the vast majority of you are going to turn around and say NIGHTWISH. Yes over the past 20 or so years the Finnâs have established themselves as a household name within the rock and metal community and already have quite the legacy behind them, arguably riddled with controversy but a legacy none the less. With this in mind itâs convenient that the band have just released a new compilation album simply entitled âDecadesââŚtwo discs spanning their career to date, with 22 songs completely re-mastered for your listening pleasure. Letâs take a trip down memory lane shall we?
The album is structured in descending order from the most recent album down to the bands earliest works, though some may argue that means the quality is in fact in ascending order, depending on what side of the fence you find yourself, regarding the different eras of Nightwish. Kicking off with material from 2015âs âEndless Forms So Beautifulâ is fair enough in reverse chronological senseâŚbut who the fuck thought it would be a good idea to OPEN an album with a 24-minute song?!?!?! Seriously, we kick off with âThe Greatest Show On Earthâ which I assume is tongue in cheek at this pointâŚthereâs an ironic lyric about sleeping 100 million centuries which is seriously befitting of this track, because it feels that long. âMy Waldenâ and “Ălan” make up the other two tracks but frankly my level of interest is already at a record-breaking all time low. What baffles me is that these tracks are themselves re-mastered from only three years agoâŚit seems pointless if you ask me. NeverthelessâŚwe move on.
The next four tracks consist of Anette Ozlonâs contributions to the band and to be perfectly honest I feel she was an under-rated front-woman. Nightwish honestly released some top tunes during her brief tenure with the Finnâs including the bombastic âI Want My Tears Backâ plus the hits âStorytimeâ and âAmarantheââŚarguably again the last BIG songs the band have released, with Anetteâs ability to deliver big harmonic vocals while capitalizing on huge pop hooks, bringing an attitude and certain swagger to the band’s style and something the band are sorely missingâŚwhat also baffles me is the decision to use Anetteâs performancesâŚif a band is going to re-master old material then surely, having a new vocalist at your disposal, youâd take full advantage of that? Why Floor Jansen isnât wrapping her lungs around these I donât knowâŚ
This also applies to the remaining FIFTEEN tracks of the album, covering the now legendary Tarja era and the bands formative years going all the way back to 1997âŚIâm not complaining because Tarja  is the symphonic metal GOAT and the fact she takes up more than half of an album featuring three vocalists speaks volumesâŚbut AGAIN it begs the question why didnât Floor try to stamp her name on the band and try to make the songs her own? There is an extensive back catalogue at her disposal, ranging from semi-goth anthem âNemoâ all the way back to âElvenpathââŚthere are other gems along the way such as âThe Kinslayerâ and âGethsemaneâ and the whole thing is wonderfully nostalgic, but this really is a waste of time and a wasted opportunity. Not only that, they failed to include âOver The Hills And Far Awayâ and for a Nightwish compilation of any sort thatâs frankly criminal. As a collection of songs, as a celebration of Nightwishâs career to date, yes itâs a great compilation, assertively reminding why they are top dogs in the world of symphonic metalâŚBUTâŚreally this could have been so much more. You could argue that they are finally putting the past behind them so they can soldier on with Floor but, if anything, having Floor take control of these songs on record would have been a more affirming nail in the coffin. It could be worse I guess…have you heard Tuomas’ vocals on “The Carpenter”? Be grateful he doesn’t sing anymore…
Score: 7 / 10
Track Listing:
- “The Greatest Show On Earth”
- “Ălan”
- “My Walden”
- “Storytime”
- “I Want My Tears Back”
- “Amaranth”
- “The Poet And The Pendulum”
- “Nemo”
- “Wish I Had An Angel”
- “Ghost Love Score”
- “Slaying The Dreamer”
- “End Of All Hope”
- “10th Man Down”
- “The Kinslayer”
- “Dead Boys Poem”
- “Gethsemane”
- “Devil & The Deep Dark Ocean”
- “Sacrament Of Wilderness”
- “Sleeping Sun”
- “Elvenpath”
- “The Carpenter”
- “Nightwish (Demo)”
Record Label:
Nuclear Blast
Release Date:
March 9th
For all things Nightwish click HERE and to purchase Decades, click HERE
About the author
Gavin Griffiths AKA GavTheGothicChav 31 Based In South Wales Favourite Bands: HIM, The 69 Eyes, Paradise Lost, CKY, Rise Against, Alkaline Trio, Type-O-Negative, Turbonegro, Depeche Mode... Enjoys: Pizza, Jack Daniel's, Comedy Roasts, WWE, Horror Movies, Sloths, Panda's, Eurovision Dislikes: The Concept Of Being "Offended", Hype, Instrumental Tracks, Interludes, Overly Long Tracks
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[…] the name of âDecadesâ; which, you may or may not remember threw up a few minor nagging issues (You can re-read here to refresh your memory). Nevertheless, the Finns had cherry picked highlights from their career, going from the very […]